Fashioning Identity explores how this tension is performed through fashion production and consumption,by examining a diverse series of case studies - from ninety-year old fashion icons to the paradoxical rebellion in 'normcore', and from ...
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Language: en
Pages: 200
Pages: 200
We dress to communicate who we are, or who we would like others to think we are, telling seductive fashion narratives through our adornment. Yet, today, fashion has been democratized through high-low collaborations, social media and real-time fashion mediation, complicating the basic dynamic of identity displays, and creating tension between
Language: en
Pages: 288
Pages: 288
Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school’s history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today
Language: en
Pages: 474
Pages: 474
Language: en
Pages: 259
Pages: 259
The relationship between fashion and identity has always fascinated. How far do we fashion ourselves through clothing, or, how far does fashion give us our sense of identity. The questions and debates surrounding the fashioning of identities are becoming increasingly pressing in the cultural exchanges of globalisation and this volume
Language: en
Pages: 264
Pages: 264
Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological